"It never occurred to me that our lives, until then so closely interwoven, could unravel and separate over a thing like that."
~ Never Let Me Go, page 197
Chapter seventeen is the last chapter in Part Two, so we know that Kathy's Cottage experience will soon be ending. This is also the chapter that concerns her falling out with Ruth and Tommy. The implied metaphor is about their relationships suddenly fading away. Metaphors give the readers an image to replace an idea. In this implied metaphor, although Kathy doesn't say that each of their lives are like a string of fabric, readers can imagine these strings or stitches unwinding from the whole fabric. This helps them understand how Kathy, Ruth, and Tommy's lives eventually separate from each other. Ruth's insulting Tommy's animals ultimately led to the destruction of the relationships, although there were other factors. The relationship was already worn, but that last incident really just doomed it.
"A poet is, before anything else, a person who is passionately in love with language." ~ W.H. Auden
Showing posts with label chapter 17. Show all posts
Showing posts with label chapter 17. Show all posts
Thursday, August 11, 2011
Thursday, July 7, 2011
Verbal Irony (Chapter 17/ Pages 230-240)
" 'In fact,' said Mustapha Mond, 'you're claiming the right to be unhappy.'
'All right then,' said the Savage defiantly, 'I'm claiming the right to be unhappy.'
'Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer; the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.' There was a long silence.
'I claim them all,' said the Savage at last."
~ Brave New World, page 240
This whole portion of the discussion between Mustapha and John is verbally ironic. This verbal irony is that John is saying he wants to be unhappy, but he really means that he knows he must accept this unhappiness to experience true joy. The other citizens of the Society would look at these things and be repulsed. But they live with false happiness. Those people can't understand that there must be pain with joy. When John says he claims all the horrible things, he literally is claiming them, but more importantly, he is also taking all the good things that counter them. This irony reveals one of the themes of the book. We can go through life pretending to be happy when we are actually numb and simply avoiding our problems, or we can suffer through those pains, solve our issues, and also experience the real pleasures in life.
'All right then,' said the Savage defiantly, 'I'm claiming the right to be unhappy.'
'Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer; the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.' There was a long silence.
'I claim them all,' said the Savage at last."
~ Brave New World, page 240
This whole portion of the discussion between Mustapha and John is verbally ironic. This verbal irony is that John is saying he wants to be unhappy, but he really means that he knows he must accept this unhappiness to experience true joy. The other citizens of the Society would look at these things and be repulsed. But they live with false happiness. Those people can't understand that there must be pain with joy. When John says he claims all the horrible things, he literally is claiming them, but more importantly, he is also taking all the good things that counter them. This irony reveals one of the themes of the book. We can go through life pretending to be happy when we are actually numb and simply avoiding our problems, or we can suffer through those pains, solve our issues, and also experience the real pleasures in life.
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